Final Cut Pro tips: Here Comes Mr. Jordan

I started noodling with Final Cut Pro soon after it came out (ten years ago!) and taught myself how to use it. By taught, I mean that I learned to hack my way around and accomplish what I needed. But it wasn't pretty or fast. After a few years, I really started feeling the limitations of my abilities, so I decided to dig into some tutorials. For whatever reason -- probably because I'd seen a few for free online -- I chose Larry Jordan's Lynda.com video tutorials. These helped me immensely with everything from media management tips to techniques that greatly reduced the time I'd spend fumbling through FCP's interface.

Even if you don't need to teach (or re-teach) yourself Final Cut Studio, I highly recommend that you check out Larry's free Monthly Newsletter. Among the tips this month:

Startup Mode Selector, a free application that helps Snow Leopard users learn more about, and harness, 64-bit technology without use of the terminal...

Ken Stone's excellent iChat Theatre tutorial...

and Apple's substantial (40pages) white paper on Customizing Final Cut Studio Blu-Ray Disc Templates.

Enjoy.

Congrats to Rooftop Films Filmmakers' Fund Recipients

Rooftop Films today announced the four recipients of their 2009 Filmmakers' Fund Short Film Grants. It gives me a lot of pleasure to spread the word about this because, in addition to being someone whose career benefitted greatly from a short film grant, I happen know two of the recipients. Recipients and summaries of the projects:

ROOFTOP FILMS AND THE CHICKEN & EGG FUND SHORT FILM GRANT + Sara Zia Ebrahimi: Norman Schwartzkopf Made Me Gay

ROOFTOP FILMMAKERS’ FUND SHORT FILM GRANTS Underwritten by Cinereach

+ Moon Molson: Crazy Beats Strong Every Time

+ James M. Johnston: Knife

+ Dustin Guy Defa: We Have No Home

Way to go Sara Zia and James -- and congrats to all!

More details about the grants and the projects selected for funding here.

For Memories' Sake, pt. 3: Organizing Content

Once I had completed the most basic research and transferred Angela's movies to video, I had to figure out how to keep track of the content of her collection. Though I only later learned about the importance of metadata and the availability of online archivist classes, I began simply and naively with a system that has served me well. I created a basic Filemaker Pro database with screengrabs from the home movies and just enough data to let me quickly find movies by persons featured, keywords, and/or their location on specific film reels or transfer tapes. I think this screen grab is somewhat self-explanatory:

As you can imagine, the keywords tend to be most useful. The beauty of using Filemaker Pro (as opposed to a library-designed data management software or, even worse, paper-based finding aid system) is that I can create ways to look for and quickly find what I want in a way that make sense to me. It's also one of the most affordable solutions I've found.

Of course, I quickly discovered I would need hard drives and backups of those hard drives for all the data and the video files, and when you're dealing with hundreds of hours of footage, it's quite an investment. I've found this brand to be especially reliable and affordable. As part of the "best practices" I've adopted, I always keep one copy of master tapes and hard drives with data in a separate, secure, climate-controlled location (e.g. not in a basement, attic, or anywhere subject to big temparture fluctuations or humidity). I also set alarms to remind myself to power up and spin the heads on the harddrives at least once every six months. Failing to do so can mean a total loss of data.

**

Even for filmmakers who aren't interesting in shooting small format or working with family archives, home movies have a lot to offer. As opposed to much archival footage that comes with hefty fees (my searches online yielded rates ranging from $25 per second to $350/second and up), home movies often come free for the taking (with attribution) or for a song at garage and rummage sales. More than that, I believe there's something inexplicably beautiful in these smaller than life versions of everyday scenes. Maybe it's because small things distill life to its essence...or maybe it's because the world seems so big and wonderful when things appear so small. Whatever the reason, if you come across orphan or neglected home movies, I hope you'll consider preserving and using these beautiful artifacts or donating them to an archive near you.

In the next making of For Memories' Sake post, I'll share how I scanned and catalogued 30,000+ photographs without taking too many years off my life.

Still from Angela Singers 8mm home movies.

For Memories' Sake, pt. 2: A Smattering of Super-8 Resources

Paul Harrill here. What follows below is Ashley Maynor's second post about For Memories' Sake, her forthcoming documentary. (I am the film's producer.) If you missed Ashley's first post, you can catch up with it here.

As you might guess if you read my first post, I soon found myself overwhelmed with the task of caring for Angela Singer's massive and chaotic collection. While this preservation project has finally come together in the form of a movie (more than three years since it began), I had to first learn to work with and care for her diverse and problematic assemblage of photos, films, and video. As a first generation college student, I majored in the not-so-versatile area of French Literature. I came to filmmaking late in my academic career, so it was without any formal photography training and during my first year of film school that I set out to learn best archival practices, digitization techniques, and the ins and outs of small format filmmaking.

While there's no substitute for learning hands-on through trial, error and frustration as I did, the following is a collection of websites and online resources that most helped me as I stumbled through the first phase of preservation:

Working with Home Movies

General Interest & Footage Sources

Home & Amateur - A blog about home movies and amateur film, whose contributors hail from the Center for Home Movies.

Lost in Light - The documentation of a (now complete) free home movie transfer project, including home movies, categorized by topic, many of them available for Creative Commons remixing.

Prelinger Archives/Archive.Org - A collection of home movies includes amateur films and videotapes from the collections of the Center for Home Movies, the Prelinger archives, other home movie aficionados. Many of the movies are public domain or available for use under Creative Commons guidelines.

Supplies & Small Format Filmmaking Resources

Film Shooting - A great online source for news about all things home movies and small format filmmaking based in Norway. Given that two major print publications (Super8Today and SmallFormat) have shut down their presses in the last year, this online news pool is essential.

On Super 8 - This site bills itself as "impartial and comprehensive resources for today's Super 8 and 8mm small gauge film makers." It's all that and more; based in the UK.

Pro8mm- The only movie house I know of in the US that specifically specializes in Super-8 film stocks and transfers. In 2008, they added a Milliennium II Scanner with daVinci 2K color corrector to their transfer menu, capable of SD or HD scans. It's the premier scanning system for small  gauge film.

Super 8 Site - A German Super8 site. The "links and addresses" page is worth a look.

Urbanski Film - Though the website screams 1990s, I've ordered and been very pleased with film cleaning supplies, projector bulbs, and other hard-to-find small format equipment.

And though it goes without saying, eBay is an immense (if risky) resource for finding old Super 8 cameras and projectors, as well as professional VHS decks for digitizing old videocasettes.  Before purchasing the unknown, I've found the folks on the AMIA Small Gauge/Amateur Film Interest Group listserve to be incredibly helpful and willing to share their expertise.

Preservation & Care Information

Brodsky & Treadway -The transfer house for rare, valuable, and fragile home movies. Their companion site, Little Film, contains detailed, downloadable tips and instructions for caring for home movies.

Home Movie Day - A major project of the Center for Home Movies, Home Movie Day is an international celebration of home movies. The site contains lots of information about film handling and care as well as links to home movie day events across the country and the globe. Home Movie Day also keeps a running list of home movie transfer houses.

National Film Preservation Foundation - A clearinghouse of film care basics and resources for more advanced users. Be sure to download their extensive film preservation guide.

Vote for my panel at SXSW...

As you may have heard, South by Southwest is crowdsourcing their panel ideas (at least in part) for 2010. I've proposed a panel and I'd love to have your vote of support to make the panel happen. Click HERE, create an account (takes just a sec), and vote thumbs up.

The panel I've proposed is called Cinematography for Improvised Films: Lighting the Unknown.

Here's a description:

This workshop focuses on the unique challenges of shooting improvised cinema. How can a cinematographer approach working with little or no script, actors that need to be able to move freely without worrying about "hitting their light", and live locations that can't be controlled? The cinematographers of a few distinguished, beautifully shot micro-budget indies discuss clips and share their secrets for creating a distinctive look on the fly.

I would be the panel's moderator (organizing it and asking the questions). I've got some great ideas for who would be on the panel, but I have to stay mum on that for now.

You don't have to be planning to attend SXSW to support the panel since panels are recorded and blogged about. If the topic is interesting, vote for it.

Second Skin online for free thru 8/13

I saw Pure West's Second Skin at SXSW 2008. It's now being made available by Snag Films for free through August 13. Here's what I thought when I first saw it:

Second Skin digs into the world of MMORPGs, and how these online games create new lives and identities — on both sides of the computer screen — for the people playing them. Not being a gamer, I wondered how much I would care about the film’s subject, especially in light of the fact that 90% of the audience I viewed it with seemed to be there to see a film about their lives. Happily, the film finds some dynamic people to follow and it does superb job of chronicling their lives, both on- and off-line. I suspect this will have a healthy life on DVD, and perhaps theatrically.

Watch Second Skin on Snag Films.

UFVA Panel - "Self-Reliant Filmmaking"

I am in New Orleans at the University Film & Video Association conference. Today I moderated a panel on Self-Reliant Filmmaking. There was a good crowd and, as often happens with these things, the discussion just scraped the tip of the iceberg. The panelists were:

Paul Harrill, Virginia Tech. Moderator. Sasha Waters, University of Iowa. Jennifer Proctor, Grand Valley State University. Bob Hurst, University of Kansas.

As promised, I am posting links to many of the articles and resources discussed by the panelists and myself. If this is your first time visiting Self-Reliant Film, I encourage you to sift through the posts, especially the first post, which lays out some of the points made in my discussion today, and the resources page.

Paul Harrill: Panel Opening Remarks

Yes, The Sky is Really Falling" by Mark Gill Welcome to the New World of Distribution by Peter Broderick

Workbook Project - website led by Lance Weiler that "bridges the gap between tech and entertainment"

CinemaTech - Scott Kirsner's blog about "digital cinema, democratization, and other trends remaking the movies"

Self-Distribution Case Studies: Power to the Pixel conference presentation: Brave New Films Power to the Pixel conference presentation:Four Eyed Monsters

Panelist Sasha Waters:

Be Fake, Remake - group blog featuring work from Sasha Waters' Remake Seminar

Panelist Jennifer Proctor:

Jennifer Proctor: home page (see "Teaching Materials")

Center for Social Media - Best Practices for Fair Use in Online Video

Vimeo -- a video hosting community

Student work shown: Anna Gustafson, “Woman” Evan Rattenbury, “Land O’ Dreams” Josh Carlson, “Donkeys vs. Elephants

It started with a tattered box...the making for FOR MEMORIES' SAKE

Today begins the first postings by Ashley Maynor on our film For Memories' Sake. (She's the director; I'm the producer.) Take it, Ashley.... It's Christmas 2005 and I've begun the crazy whirlwind of travel that results from being part of a Southern, Catholic family and a child of divorce. My grandmother, Angela Singer, who always gives the most unique (if utterly bizarre) gifts, often salvaged from garage sales or Dollar Store specials, surprises me with a tattered cardboard box. Within the box is a ratty paper bag, and within the bag a treasure trove: 79 3-inch reels of 8mm and Super8 home movies.

I had begged Angela for months to see if she could find her home movie collection, which I knew must have been buried in her house in Cheatham County Tennessee. What once housed nine children and all their things (most memorably for me: potato guns, slingshots, and dirt bike helmets) is now a cluttered mess of papers, mementos, newspaper clippings, and photographs that document time gone by and its slow, continual creep.

Having deciphered Angela's handwritten labels, organized the reels as best I could, and researched home movie transfer houses, I sent the films off in late 2006 for a low-cost telecine transfer. The films came back to me in digital form and I began to cut up and reconfigure these celluloid relics of time immemorial using a Macintosh Powerbook and Final Cut Pro.

After expressing such a fervent interest in the home movies, Angela keep digging and presented me, piecemeal over the next year, with more and more documents: over 130 VHS-C tapes of home video, dozens of photo albums from the 1990s, her latest photographs on CD-rom, baby books, photo collages, and so on. In sum, what began as a modest attempt to preserve a few precious films turned into an unexpected discovery of the immensity of Angela's film and photo stockpile and an involved (if unintended) campaign to protect and preserve as much of her archive as possible.

My next post will discuss how I learned (taught myself, really) to preserve Angela's "archive" and how I began shaping this raw material into something that I could use to create For Memories' Sake.

Sita Sings the Blues is out on DVD. How, I'm still not sure.

Sita Sings the Blues, the critically acclaimed animated feature film single-handedly made by Nina Paley, is being released on DVD today. For those that haven't been following the story, the film's use of uncleared, copyrighted musical compositions has restricted the film's release. Today, indieWire reports that "[t]hrough an intense study of copyright laws, Paley has realized the opportunity to allow other people to sell her work with her endorsement, and she can receive donations from these distributors."

But the author of the article does not mention the legal conclusions that Paley (and her lawyers) arrived at, nor does the article make any mention of the source for this information.

One website that is acknowledged is QuestionCopyright, which has a lengthy interview with Paley. The comments section that follows the interview is worth a read, too, as there's a lot of back-and-forth between commenters supporting Paley's attempts to produce "new work" (as copyright law is supposed to encourage) and several other others that argue that blame Paley for the situation at hand.

Unfortunately, I still don't have answers about how Paley and her lawyers have decided to release the film on DVD. Perhaps it's because they're also giving it away via torrent?

If you want to buy the DVD, it's available here.

UPDATE: See the comments for answers....

New Final Cut Studio released: Yawning and Gnashing of Teeth Ensue

Apple announced a major (i.e., "you have to pay for it") Final Cut Studio upgrade yesterday. It doesn't have a flashy name like "Final Cut Studio 3" or anything like that. They're just calling it Final Cut Studio. Kinda like The Velvet Underground calling their third album... The Velvet Underground. As most readers know, I'm a fan of Final Cut, so it's a big deal to me when a major upgrade of the software is released. This new FCS has a lot of changes and new features. Like the upcoming Snow Leopard operating system many of the new features strike me as time-savers, not game changers. But after looking over the changes....I'm a little underwhelmed. Are there improvements? Sure. Am I going to stand in line for this release? No.

Disappointments? Sure. The biggest one is that there is still no fix for QuickTime's gamma problems. (Google page count for: quicktime gamma problems: 3.2 million.) Supposedly the gamma problems will be fixed with the release of the Snow Leopard later this year (and, honestly, that's probably the better place to address it -- system wide). But it is distressing that it's not even mentioned in Apple's 66 page "product overview" discussing the new Final Cut Studio features.

Another disappointment -- and one I've come to expect: DVD Studio Pro is not upgraded whatsoever. For anyone counting, DVD Studio Pro hasn't had a true upgrade since 2005. Obviously, this means no Blu-Ray support.

The kicker?

Compressor now includes a setting that allows you to create Blu-ray–compatible H.264 files that can be imported directly into third-party Blu-ray disc authoring software.

So, Apple, you want me to buy Final Cut Studio so that I can compress footage and prepare it for Blu-Ray burning... but you want me to buy some other company's video software suite so that I can actually author a DVD that takes advantage of Blu-ray's capabilities? Sigh. Thanks a lot.

It's no secret that Apple's business model (e.g., iTunes store, Apple TV, etc.) is built around the premise that DVDs will soon be dead. Maybe they will, maybe they won't. But one way or another this is the clearest indication I've seen that DVD Studio Pro is marked for death. It makes you wonder why they even bother including it with FCS.

**

For a brief list of the changes, here's Apple's webpage regarding the new versions. If you want the full 66-page overview of changes, Apple has a PDF for you.

Self-Reliant Film v3.0

As a way to mark some changes at Self-Reliant Film, I've done a site redesign. I recently mentioned that Ashley would be making some posts on SRF to discuss her documentary, For Memories' Sake. This marks something of a shift in Self-Reliant Film. Though I'll still be the main voice of the site, I will no longer be the sole blogger here.

In addition to Ashley's posts, my hope is to invite a couple more filmmakers into the mix in the coming months. The aim in doing this is to cover more of the things happening in cinema today while providing a voice to some interesting filmmakers -- especially regional filmmakers -- working today.

Anyway, it seemed appropriate to clean up the website design to mark the changes.

While it's on my mind, here are some notes on the new look:

Though its aim was to tie-in to the imagery of the letterpress chipboard posters that I use for my films, I was never fully satisfied with the "chipboard" version of the site. So I've decided to go with a new, cleaner look that will (I hope) allow users to find information more easily.

The top SRF menu consists of static pages, and their "child" pages.

The lower menu features categories of "mega"-tags. Hovering over each one will bring up a category of tags used on the blog. And clicking on one of those will give you all the posts in that area. In some cases (like Films & Filmmakers -> Genres) there is a third layer of categories (in this case, "Experimental" and "Documentary").

The main idea is to make the content you want more easily findable. Let me know if you like it, or if you don't.

Oh, and in case you're interested, this site uses a WordPress template called "Thematic Power Blog" by Ian Stewart.

For Memories' Sake

The last couple of months have been pretty darn busy, so blogging has taken a backseat. I've been working on a few different projects -- some writing, a DVD of two short films, and some tests with a new camera. And I got married -- eloped to Walden Pond, to be precise. It's been good to have some downtime from the blog, but now I'm back.

I'll have some more information about some of these projects of mine later this summer, and I'll be making some changes (hopefully good ones!) to Self-Reliant Film as well. But for now, I want to announce the launch of the For Memories' Sake website.

For Memories' Sake is a new half-hour documentary directed by my wife, Ashley Maynor. I'm the film's producer and, though we're still in the latter stages of post-production on it, I have to say I'm about as proud of this movie as anything I've been involved with.

In the coming days, as we complete the movie and prepare it for distribution, Ashley will be blogging on SRF about some of the things that were involved in making the film. Until then, I encourage you to become a "fan" of the movie on Facebook and check out the aforementioned website.

This one's for the graduates...

Reader (and former student) Jonathan Poritsky writes in:

I've replied to enough "your-dad-said-you-work-in-film-what-should-i-do-now?" e-mails that I got tired of it and decided to write the response to end all responses. It seemed relevant to SRF, and also in part inspired by what you do on your site. So here's the link, do with it what you will...

I will link to it. Here it is: Starting Out in Film, Now What?

How to make a screenings map with Google

After my recent post, which mapped out the past and upcoming Quick Feet, Soft Hands television screenings, some folks at ITVS asked if I wouldn't mind sharing how I made the map so that they could encourage other filmmakers they work with to do the same. Though I'm far from the first person to do this sort of thing, I was, of course, happy to oblige. It's a great way to visually communicate with your audience about when and where they can see your work.

How to create a screenings map using Google Maps:

1) You'll need a Google account, like a Gmail account. If you don't have one, sign up for one.

2) Once you have logged into your Google account, go to Google Maps.

3) In the upper left hand corner, click on "My Maps", then click on "Create new map."

4) A new window area appears on the screen.

Title the map, and describe it. Obviously, you can make this map for TV screenings, festival screenings, a theatrical release, whatever. For my television screenings, here's what I wrote:

"Quick Feet Soft Hands" TV Screenings Upcoming and past screenings for "Quick Feet, Soft Hands."

In some cases, the film will be showing on multiple streams (i.e., regular and Hi-Def), so double-check with your local listings to confirm the details listed here.

If the film is not available in your area, contact your local station to request it.

To find your local station, visit: http://www.pbs.org/stationfinder

For more information on "Quick Feet, Soft Hands" visit: http://www.lovellfilms.com or search "Quick Feet Soft Hands" on Facebook.

5) Immediately under the text box where you'll type your description, select whether you want the map to be PUBLIC or UNLISTED. You may want it unlisted while you develop the map. Then, when you're done, make it public.

6) Now, start adding your screenings:

Begin by searching for a venue (say, a film festival or television station) in the Google search bar at the top of the screen.

a) If it shows up on the map, click on the link and a small "dialogue bubble" will appear. In that bubble click on "Save to My Maps."

Follow the prompt and select the name of the map you're creating.

Clicking "save" will make a new "dialogue bubble" appear. Here you can add information of your choosing. For my "Quick Feet, Soft Hands" map I added the screening date(s) and time(s) for each station.

This is also where you can choose the icon you prefer. I went with some blue thumbtack looking icons. There are several to choose from -- you can even make your own.

b) If searching for the venue does not produce the results you want, you'll need to add the venue yourself. Start by finding the approximate location on your map for the venue, then click on map "pin" in the upper left hand corner of the map. This will change your cursor into a "pin" which you can then place where you like.

Once it's placed, click on it again to add information. (See 6a above for instructions.)

7) As you add your venues, be sure to intermittently save your map. Saving is accomplished by clicking on the "Save" button to the left of the map.

8 ) If you haven't already done so, make your map public by selecting the "Public" radio button after it's done.

9) Finally, you need to share it! To get the URL of your map, click on the "Link" button in the upper right hand corner of the map.

This will show not only the URL for your map (which you can email to all of your fans and supporters), but also the HTML code so that you can embed the map in other web pages (like a blog).

Enjoy!

NOTES:

- If you wish to allow others to edit your map, you can click on the "Collaborate" link near your map's title.

- If you wish to add other venues after later, just log into your Google account, select "My Maps", choose the map that you want to edit, and click on the "Edit" button. Remember to save your work.


View "Quick Feet Soft Hands" TV Screenings in a larger map

Quick Feet, Soft Hands: Television Screenings

A number of public television screenings have been added for "Quick Feet, Soft Hands." To help audiences track down the movie, we've created a GoogleMap (below). In some cases, the film will be showing on multiple streams (i.e., regular and Hi-Def), so double-check with your local listings to confirm the details listed here.

If the film is not yet available in your area, contact your local station to request it.


View "Quick Feet Soft Hands" TV Screenings in a larger map

Two Macintosh Productivity Apps

Here are a couple of useful Macintosh tools to help you stay focused while working at your computer writing, editing, or doing anything else that requires concentration. Isolator: I've been using this application on and off (literally) for a year. As its creator describes it, Isolator

will cover up your desktop and all the icons on it, as well as the windows of all your other applications, so you can concentrate on the task in hand.

Freedom: James M. Johnston recently tipped me off to this cool little Mac application. According to its website, Freedom

is an application that disables networking on an Apple computer for up to eight hours at a time. Freedom will free you from the distractions of the internet, allowing you time to code, write, or create. At the end of your selected offline period, Freedom re-enables your network, restoring everything as normal.

Opening Day: "Quick Feet, Soft Hands" on Television

As you may know, today is the Opening Day of the 2009 baseball season. The beginning of a new baseball season is like a premiere, in a way: Anticipation. Expectations. Excitement. As a kind of tie-in, the good folks at NETA and ITVS have decided to begin offering my (minor league) baseball-themed half-hour film, "Quick Feet, Soft Hands", to public television stations nationwide this month. (It will be available after April, too.) Some stations (in L.A., Detroit, Pittsburgh, and elsewhere) have already picked it up.

If you'd like to see it broadcast in your area, call or email your station to request it! Here's how:

To find your station, click on this link to find your station, and search with your zip code. After it shows you the station, click "next" and the website will provide an email and/or phone number for the station.

When you talk with the station you don't need to make things too complicated -- just tell them how you know about the film, and why you'd like to see it.

EDIT: Known screenings are now being listed, as up-to-the-date as is possible, on the QFSH Facebook page.