Just a link to a great article by AJ Schnack on some festival advice for filmmakers. Since I was in Europe, I missed linking this when it went up in early June. Still, it’s good advice to keep in mind, particularly as some major festival deadlines are on the horizon.
Archive for the ‘Genres’ Category
Bruce Conner — avant-garde cinematic giant, co-founder of one of the first and most important film distribution co-operatives, and spiritual godfather to all youtube mashup artists (though most of them are clueless to the fact) — is dead at the age of 74. GreenCine is compiling links to obituaries and remembrances.
Valse Triste, a haunting film that draws on his midwestern childhood, is the film of his that most feels appropriate to watch today. You can find it on YouTube, but its quiet power is utterly diminished by the small screen.
So instead I offer this, the first film of his that I saw, which turned me onto his work: Mongoloid
Some helpful links:
U.S. Copyright Office
Copyright is a kind of intellectual property monopoly. And if it was intellectual property Monopoly, this site would be “Go.” Translation: Start here.
How to Register a Work
This site takes you to eCO, where you can file a copyright registration for your work through the Copyright Office online system.
Stanford Copyright Renewal Database
Lets you search for whether a work is still under copyright or not.
Copyright Term and the Public Domain in the United States
A chart to help you understand the labyrinthine laws regarding when a work will fall into the public domain. The chart is available as a PDF.
Documentary Filmmakers’ Statement of Best Practices in Fair Use
If you are a documentary maker you should know this up and down.
Code of Best Practices in Fair Use for Online Video
Like the Documentary Best Practices, this is something to know and learn.
Creative Commons. Where to go if you want to give it away, legally speaking.
Resource pages and other links:
Stanford University Libraries: Copyright & Fair Use: Charts and Tools: A great page of links.
Cornell University Copyright Information Center: More great links.
EDIT (7/9/08): This post was accidentally deleted. I think I’ve restored it pretty completely, and added some more links in the process.
EDIT (9/29/16): Fixed some broken links.
Last year I think I spent as much time posting thoughts on films I was seeing at South by Southwest as I did actually attending films and panels. This year I chose to err in the other direction. There were simply too many movies to see, panels to attend, people to meet, and parties to drop by.
Highlights (in the order I saw them):
All make use of handheld digital video, feature naturalistic performances, and were made with small (or no) crews and budgets. Despite the superficial sharing of neo-neo-realistic qualities, it would be tough to compare them. Suffice to say that all are worth seeing.
As good as those films were, perhaps my two favorites of SXSW were two very polished documentaries, Second Skin and At the Death House Door.
Second Skin digs into the world of MMORPGs, and how these online games create new lives and identities — on both sides of the computer screen — for the people playing them. Not being a gamer, I wondered how much I would care about the film’s subject, especially in light of the fact that 90% of the audience I viewed it with seemed to be there to see a film about their lives. Happily, the film finds some dynamic people to follow and it does superb job of chronicling their lives, both on- and off-line. I suspect this will have a healthy life on DVD, and perhaps theatrically.
At the Death House Door was the most emotionally gripping film I saw at SXSW. A somewhat conventionally shot documentary featuring lots of interviews, it reminded me that no single documentary style has a monopoly on greatness. The film follows Carroll Pickett who, during his 15 years as the house chaplain to a Texas prison, presided over 95 executions, including the very first lethal injection done anywhere in the world. The film also tells the story of Carlos De Luna, one of those 95 prisoners executed, and one that Pickett believed to be innocent. This is a movie that had me in tears — both at horrific things, and also in admiration at the remarkable heroism of ordinary individuals. Emotions aside, it did bring some nuance to arguments for and (especially) against the death penalty. The fact that it was premiering in Austin — that is, in the capital of the state where these executions took place — made the screening experience all the more poignant. At the Death House Door was co-produced by IFC, so look for it there (and, perhaps, theatrically).
As for panels, not all of the ones I attended have been posted (nor do I know if they will) but here are the festival’s recordings of some for those of you that couldn’t be there.
I usually don’t post film festival calls for entries — there are just far too many of them — but this is one I couldn’t pass up: The Reality Bytes Film Festival is Northern Illinois University’s student film documentary film festival. As most of you know, NIU was the site of a mass shooting on their campus a couple of weeks ago.
I received a bulk email from their PR director on Sunday. Here it is in full:
First, we want to thank everyone who has called or e-mailed with messages of support over the past few weeks. We are still coming to terms with the tragedy that occured on our campus Thursday, February 14, and it will be a long journey. However, the journey does begin with the first steps and in that spirit, the Reality Bytes Film Festival is still taking place, but with a change in the deadline and screening dates.
With that said, I am writing to you on behalf of Northern Illinois University and the Reality Bytes Student Documentary Film Festival. The festival is currently in its eighth year under the directorship of Dr. Laura Vazquez and is continuing to grow. The event prides itself on being open only to students and being affordable with only a $20 entry fee.
We have already started to receive films from schools all across the country and the outlook for this year’s festival is excellent. Our goal each year is to continue to have a venue where students can showcase their amazing documentary filmmaking talents against their peers.
The submission deadline for students is now March 8, 2008 and the documentaries must be under 30 minutes length. Any style or genre of documentary will be accepted. The application form for this year’s festival can be viewed and printed as a PDF file by visiting the Reality Bytes website at the following URL:
The screening event will be held on April 4th and 5th and cash prizes will be awarded on April 5th. The best of festival winner will receive $200 and Avid video editing software, second place will receive $150 and third place will receive $100.
Thank you. We are looking forward to seeing all of the great student work coming out of your university.
Public Relations Director for Reality Bytes
Northern Illinois University
If you’re a student filmmaker with a documentary, send it on in. It sounds like a neat festival, it’s an affordable entry fee and, in some way, however small, by submitting your film you’ll be helping the NIU community move forward after a terrible tragedy. I imagine this edition of the festival will be pretty special.