Archive for the ‘Distribution & Screenings’ Category

IFP Independent Filmmaker Conference

Tuesday, September 16th, 2008

I’ll be in New York for the IFP’s Independent Filmmaker Conference this week.

Among other things, I’ll be moderating a panel, “The Digital Download.” Stop by and say hello!


ALTERNATIVE DISTRIBUTION
Case Study: The Digital Download

Find out how filmmakers and new media innovators are navigating digital distribution- through service deals, booking cinemas directly or distributing content online – in order to get the most out of their projects creatively and financially.

Wednesday, September 17th, 2:30-3:30 PM

Panelists
Adam Browne, The Cult of Sincerity
Brendan Choisnet, The Cult of Sincerity
Gary Hustwit, Director, Helvetica
Erick Opeka, Senior Manager, New Video

UPDATE: During my panel yesterday I mentioned Scott Kirsner’s Cinematech blog and book on web video. For those who had questions, here are those links:

blog: CinemaTech
book: The Future of Web Video

Making a Fullscreen Video Loop for an Installation (or Kiosk) Using Automator

Wednesday, August 13th, 2008

UPDATE: Spring 2013.  SRF reader Jessica Barr corresponded with me in 2012 about how users of more recent versions of the Mac OS (10.6 and higher) might have issues with the Automator script below because QuickTime 7 is no longer the default movie Mac OS movie player. Jessica kindly revised the automator script and offered it to me so I could share it with you.

Download it here: Revised Automator QT Movie Loop script

(By the way, from my limited testing, it appears you still need QT Pro 7 — which is still sold as of May 2013 — to run this script. Quicktime X, or whatever it’s called, can loop, but you can’t save a movie as one that loops. And Automator’s loop instruction in its “play movie” actions don’t work reliably. )

Read on for the full instructions…..

Original Post from 2008:

Apologies for the long post title. This is to help anyone searching for such a thing on the internet.

This post will explain how to create a video that plays full-screen and loops repeatedly on a Mac. Looping full screen video is useful for, among other things, kiosks and video installations. If you want to cut to the chase and learn how to do this, skip down. Otherwise, I’ll offer a few words explaining the reasoning behind what I did.

Ashley Maynor and I recently put up a small video installation near the offices of the Arts Council of the Blue Ridge. The installation was done as a gratis piece of temporary public art, so we needed to keep the budget as small as possible.

In our case, this was a three channel installation — that is, we had three different videos playing simultaneously on three different screens. The screens were going to sit next to each other, so we wanted some uniformity in presentation. Video projection wasn’t an option — the space was too tiny for projection. (It’s basically an empty downtown shopwindow.) So we needed televisions or computer screens.

We didn’t have three identical televisions, but I did have three identical old semi-working iMacs sitting in a “junk” closet at Virginia Tech. So I borrowed those.

Regardless of whether you use a television with a DVD player, or a computer and its video monitor, for this sort of thing you might burn a DVD that loops. That’s a perfectly fine solution, but the DVD player on one of the iMacs was broken. Also, there might be solutions out there for having a DVD player and television power up and down automatically, but I know it can be done (and know how to do it) with a computer.

So how to do it?

I decided to create a simple Automator application that could be used to automatically screen a QuickTime movie in full screen mode when the computer was booted. I also automated the startup and shutdown of the computers so that the installation runs during prime hours downtown, saving power in the wee small hours of the morning. Details on how to do this after the jump.

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Festival Advice for Filmmakers

Wednesday, July 30th, 2008

Just a link to a great article by AJ Schnack on some festival advice for filmmakers. Since I was in Europe, I missed linking this when it went up in early June. Still, it’s good advice to keep in mind, particularly as some major festival deadlines are on the horizon.

The Conversation… with Scott Kirsner

Friday, July 25th, 2008

Though this website is a direct result of my belief that new technologies are reshaping filmmaking, as well as the relationships that filmmakers have with their audience, I rarely write about the intersections between cinema, the web, gaming, and business. One the reason I don’t is because there’s already someone that does that much better than I could. His name is Scott Kirsner.

A journalist by trade, Kirsner is the author of “The Future of Web Video: Opportunities for Producers, Entrepreneurs, Media Companies and Advertisers”, the editor of CinemaTech (his must-read blog) and a contributor to publications as diverse as has also contributed to Variety, Wired, Salon.com, and BusinessWeek, among others.

Recently, Kirsner announced a new event to be held this fall in Berkeley, called The Conversation.

The Conversation

 

Billed as “a gathering… intended to explore the new business and creative opportunities emerging in 2008,” The Conversation is “targeted to media-makers and technologists who want to understand and help shape the future of the entertainment industry.”

If the list of organizers and “conversation leaders” is any indication, The Conversation will be well worth sitting in on.

In anticipation of the event, Kirsner and I exchanged a couple of Q+A emails. I thought I’d share this (lowercase “c”) conversation with you:

**

Your journalism has covered motion pictures, new technologies, the internet, and the intersections of all of these overlapping worlds. But I’ve, at least, always thought of you as a journalist — someone that reports, someone that analyzes. With The Conversation you’re an instigator, a participant.

I’m really interested in innovation, and how new ideas get introduced to the world. It’s fun to write about that, but it’s also fun to bring together people whom I’ve met in my journalistic travels, and get them talking to each other — in person. All kinds of cool sparks fly. That’s what we aim to do with The Conversation. I’ll be there to ask questions and instigate, sure, but I also expect that our participants will do a lot of that, too.

How did The Conversation got started (no pun intended)?

There were two dynamics, really, that led to its creation. One is that a lot of times at film festivals, the discussions about new technologies, new tools, and new business models wind up as a side-show to the main event, which is watching movies. We wanted to do something where mapping out the future and getting up to speed with what other creators are doing would be the central purpose. The second dynamic was that there used to be this great event that happened twice in Montreal, called Digimart. Lance Weiler, Peter Broderick, Tiffany Shlain and I all spoke at the second Digimart a few years ago. It was a great gathering… but it didn’t continue after 2006, and we wanted to keep its spirit alive and take it to a new geography.

One of the things the website says is that The Conversation is “definitely not a conference.” Why make the distinction?

Conferences, to me, are about listening passively. They’re often sold out to sponsors, which means they don’t serve the participants very well. They tend to feature the same old speakers delivering the same old PowerPoint presentations. We’re trying to avoid all that, and simply host a high-energy conversation among people creating change in the entertainment industry.

If you could only ask one question to all the people that will be attending — the presenters and the registered attendees — what would it be?

How is your relationship with your audience changing? That’s a topic I’m obsessed with right now — I think that some of the biggest changes over the next 10 years in TV, film, video, and games are going to revolve around that relationship between creator and audience.

 

**

The Conversation unfolds October 17-18 in Berkeley, California. Visit the website for more information and to register.

cicadas on PBS in New York, OR: How to Write a Press Release

Tuesday, July 15th, 2008

Because of this website, I receive press releases on a daily basis from a multitude of PR firms. It’s clear with many of them that the sender hasn’t spent more than 5 seconds thinking about the audience for this website. Some of these are pretty unintentionally funny: My favorite media alert is probably the one about a re-recording of a jingle for canned beans by a Country music recording artist. But I digress.

The point is, few notices get my attention. And even fewer do I end up writing about. When I receive a notice like the one quoted verbatim below, though, I try to act on it.

Why? Four reasons:

1) The thing being promoted sounds interesting.

2) The people that read this website might be interested in it too.

3) The thing being promoted sounds as if it could use my help as far as promotion goes. I tend to favor humble affairs, not stuff with a big advertising budget. (In case you hadn’t noticed by now.)

4) The release sounds like it was written by an actual human being. You’d be surprised at how rare this is. Or maybe you wouldn’t.

Oh yes, I’m sure Kat Candler’s email breaks all sorts of “rules” about writing press releases. But I have noticed that there seems to be a direct correlation between points #1-3 and point #4. In the end, the result is that, Candler’s email not only makes me want to see this movie — it makes me want to tell others about it.

And in my book that’s a press release that works.


cicadas 

cicadas
Screening on PBS in New York
Saturday, 7/19, 11:55pm
Sunday, 7/20, 4:25am
WNET, Reel 13
http://www.bside.com/films/cicadas

Long ago, I made this feature film called, cicadas. We shot it over the summer of 1999 in a tiny, tiny town called Bertram (population 835). We shot the film on a Canon XL1 back when mini-DV was brand spankin’ new. Over 6 weeks, Thursdays through Sundays a cast and crew trucked out to the middle of nowhere Texas to make a story loosely based on a crush I had at age 16 on a skater punk kid.

The summer of 1999 was one of the best summers of my life. We had no expectations, no grandiose ideas of making it big … we just wanted to make a feature film just to learn how to do it. And what came out of that little film was a family of friends, a super fun summer and a little movie that could.

The film went on to win some audience awards at festivals, get picked up for distribution and then dropped by distribution. And then picked up again for distribution.

If you have friends in New York who like to stay up crazy late or can record stuff to their VHS or DVD players, pass this along. It’s fun to share your heart with people. Even if it’s super rough around the edges and frayed along the hem line.

***

One other thing to note about press releases. For me, whether or not I write about something is also a matter of timing. Some days and weeks I’m slammed. Some days, a notice will come in and, if I’ve got a few spare minutes, I’ll throw something up on the web. People that are paid to blog full time probably work differently, but that’s how I roll.

As always, thanks for reading. And if you’re a filmmaker, don’t be afraid to see if I can cover your film. Just don’t be hurt if I don’t.