Author Archive

Launched: The New Self-Reliant Film.

Wednesday, April 6th, 2011

The new and improved SRF.

If you’re looking at this website in anything other than an RSS reader you can probably tell that we’ve completely overhauled the website. Thanks to our wonderful designer friends at Nathanna, we’ve both expanded and simplified the Self-Reliant Film website.

As we mentioned a few weeks ago, our new look is based on some new directions for the website.

Today, with the launch of the new site you can do a few things that you couldn’t do before:

 

Sign up for the email list. Our new email newsletter will have exclusive content we don’t put on the blog. We’ll share tips on great films we’ve recently discovered, we’ll provide some extra filmmaking tips, and you’ll get access to see our films for free. The newsletter is only sent once a month, we never sell or share others’ email addresses, and it’s ad-free. Subscribe!

 

Watch our films: Some folks that visit this site do so because they’re fans of our films. Others visit the site because of the blog. If you’ve not seen our work, or you want to see our films again, or you want to see more of them… we’ve spelled out all the ways to watch.

The easiest and least expensive way is to sign up for the email list. But there are other ways, too. Find out more here.

Must reads: Look to the sidebar on the left. These are a few of the most popular posts on the site. Check them out if you’re new here or if you’ve not read these. The Declaration of Principles was the first post on the blog, and it’s still pretty much as relevant today as it was when it was drafted in November 2005.

 

Resources: If you click on “Resources” (look to the upper left of this page) you’ll see some of the more helpful pages we’ve assembled for filmmakers (and everyone) since beginning the site. Over the coming weeks we’ll be updating and expanding these pages.

 

Submission guidelines: We’ve always received emails from readers wanting us to watch and/or review our films. This has been done pretty much catch-as-catch-can in the past. We finally drew up some ideas about how to do this, as seen in the sidebar on the left. We want to review and put a spotlight on great films more than we’ve been able to recently. This is a way to encourage this. Click on the Submission Guidelines and and let us know if you’ve got a film you want us to watch.

 

What hasn’t changed?

 

Our blog still features all the same stuff that we’ve championed and discussed from the beginning — DIY, regional, and personal filmmaking. We’ve moved it to selfreliantfilm.com/blog, so update your bookmarks.

(If you bookmarked an old page from the blog it should automatically redirect to the new permalink structure, but if you encounter a broken link, let us know!)
 

Finally, one other thing that hasn’t changed: This site is still ad-free.

For us, self-reliance has always gone hand in hand with the idea of simplicity. While filmmaking is a vocation that often resists even our attempts to simplify the process of making movies, we feel the least we can do, sometimes at least, is keep our tiny corner of the internet quiet from flashing banners, pop-ups, and google ads buried within our own reflections. This website, like our films, continues to be a labor of love.

We hope you like the new site, and the things to come. If you do, spread the word by sharing with a friend by using facebook, twitter or, you know, by actually telling someone about it face-to-face.

Photo Essay: The Souths, Part II

Sunday, March 20th, 2011

Southern Circuit: Karpeles Manuscript Museum

Monday, March 14th, 2011

"All But a Declaration of War" - Karpeles Manuscript Museum.We stopped in the Karpeles Manuscript Museum while in Charleston, SC for our screening at the Halsey Institute for Contemporary Art. Ashley’s interest in archives, which was cultivated during the production of For Memories’ Sake, made the museum a logical stop for us.

The Karpeles Manuscript Library, which has seven museum sites across the country, including the one we visited, is the world’s largest private holding of important original documents and manuscripts.

Karpeles Manuscript Museum.

In the museum we explored a temporary exhibition of Civil War manuscripts, as well as a some Egyptian ruins from David Karpeles’ personal collection.

As we were about to leave, we asked the gentleman tending the museum to tell us a little bit about the collection. He was kind enough to share some background, as well as an amusing anecdote that highlights the assumptions people sometimes have about the South.

Photo Essay: Graceland

Thursday, March 10th, 2011

Touring the South(s)

Tuesday, March 8th, 2011

Ashley and I have been on the Southern Circuit Tour of Independent Filmmakers for a week now. As I type these notes, we are driving on I-55, heading from Memphis to a screening tonight in Jackson, Mississippi.

The program we are screening on this tour have been appropriately packaged together under the title “Southern Stories.” The two fictional films (Gina, An Actress, Age 29 and Quick Feet, Soft Hands) were shot in Knoxville, Tennessee, and the documentary (For Memories’ Sake) is a portrait of a woman who’s lived in a rural area outside Nashville all of her life. The cast and crew for these films is largely drawn from the areas in which they were shot.

Charleston Guest House

Guest house. Charleston, SC.

So, while there is a truth, and a convenience, in advertising the films as “Southern Stories”, I’m also ambivalent about labeling them this way. I have long believed that the South is not a monolithic place, except in American mythology, but that there are, instead, many Souths.

Visiting the three places we’ve screened so far — Johnson City, TN, Charleston, SC, and Memphis — has driven that home in dramatic fashion. I can’t remember touring three cities in such short succession that are more different in their cultural, racial, economic, and geographic diversity.

(more…)