Filmmaker, critic, and French New Wave pioneer Eric Rohmer has died at the age of 89.
Rohmer was one of the great filmmakers, and his films have been a deep source of personal and professional inspiration to me. My personal favorites are My Night at Maud’s, Autumn Tale
, and part one of Four Adventures of Reinette and Mirabelle
. In the last of these, the climax of the film has two young women awaking at dawn to listen for “the blue hour” — a possibly-mythical moment of absolute silence in nature. It is a moment that, for me, is the essence of Rohmer’s art.
If you are a fan, I recommend Colin Crisp’s superb book, Eric Rohmer: Realist and Moralist, which, in addition to Crisp’s observations, contains many passages of Rohmer talking and writing about his filmmaking practice.




One Comment
I was disturbed to discover a rumor recently that Eric Rohmer’s Les Film du Losange partner and French New Wave titan, 81-year-old Jacques Rivette (my favorite filmmaker), may have recently directed his final film recently, as his health is failing. I hope it’s not so. The old masters are sadly dropping like flies with each passing year.
I just watched Perceval le Gallois again just recently, and grew to understand and appreciate that he pioneered the minimalist Brechtian aesthetic in film long before the others did. I was never the hugest fan of Rohmer (I remember seeing his Claire’s Knee when I was very young), but I was very saddened to hear about his passing today. In New York recently, I saw his L’arbre, le maire et la médiathèque on a print, which was excellent and fascinatingly enough seemed to be a close cousin to Resnais’s La Vie est un roman (1983).