By Paul | Published:
June 24, 2010
This is the second of two posts considering the rewards and challenges of using DSLRs for cinema work. If you’ve not read the first post, start there.
At the end of the last post we had assembled a Canon 7D camera, a Canon 17-55 f/2.8 lens with Image Stabilizer, a Zoom H4N audio recorder, and PluralEyes [...]
By Paul | Published:
June 22, 2010
DSLR filmmaking has been much ballyhooed in the last year or so. Cameras like the Canon 5D Mark II and Canon 7D have been hailed as the lastest in a long line of “democratizing” motion picture technology — inexpensive cameras that produce cinematic, shallow depth of field images that seem to rival the look produced [...]
By Paul | Published:
June 18, 2010
My absence for the past few months has been due to the fact that I’ve been woodshedding, as folks in the Jazz world would say.
One of the things I’ve been doing is writing. When I’m writing, I find this blog takes a back seat. Sorry, dear readers. That’s the way it goes. As for [...]
By Paul | Published:
March 26, 2010
Attending a film festival is exhausting. You race around town to screenings and stand in lines throughout the day. Then at night you run around town to parties, sometimes several of them.
I’m not about to complain. Leading a life in film is an immense privilege and I try to remind myself of it all the [...]
By Paul | Published:
March 16, 2010
The Cinematography for Improvisation panel that I moderated was a blast — and, while I felt like it was a success, the one hour we had to dig in flew by. I personally could have listened to Andrew Reed, Allison Bohl, and Justin Molotnikov talk shop for another couple of hours. There were easily [...]
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