Ashley Maynor and I spent a lot of time — a lot of sweat, a lot of love, a lot of pain — making SOMETHING, ANYTHING. More than either of us have ever put into a movie. Years. Friends of ours have raised infants to preschoolers in the time it’s taken us to make this film. This film has been our baby.
Not surprisingly, as we finished the film we did a lot of thinking about where we would want to premiere it. We knew wanted it to be a festival with a lot of integrity, both in the films they select, and the way they treat their filmmakers.
So we asked a lot of filmmaker friends, and we researched. What festivals were taking risks on premiering and screening films that we admired in the last few years? (Films like The Unspeakable Act, This is Martin Bonner, and The Color Wheel, among many, many others.)
So we shared SOMETHING, ANYTHING with programmers Tom Hall (Sarasota) and Jim Healy (Wisconsin). And we crossed our fingers. These guys look at thousands of films a year. I don’t know how they do it, honestly. For the sections that we’d be eligible for, they maybe take a dozen films.
The fact that both of these programmers — who we admire so much, and whose festivals are beacons of daring programming — separately selected SOMETHING, ANYTHING for their respective festivals… well, to call it gratifying would be an understatement.
We’re calling our screenings at both Wisconsin and Sarasota our “World Premiere” — a co- or dual- World Premiere, if you will. The festivals happen over the same dates, and its a way for us to signify how honored we are to have all of our hard work — and the work of so many others — to be recognized by both festivals.
Thanks for following us on the journey so far.