Jane Sloan, Shmuel Ben-Gad, and Frank Blaakmeer at Masters of Cinema have compiled what appears to be the most comprehensive (complete?) Robert Bresson bibliography in the world. As someone whose passion for Bresson’s work led him to trying to read Notes on Cinematography in the original French back when the English translation was out of print, well, it pleases me deeply to see the hard work that these scholars have produced.
Here’s a quote from one of the 2000+ sources listed, J. Hoberman’s “States of Grace” (Village Voice, September 27, 2005):
Do this job long enough and you learn to accept certain realities. Some people will laugh at Written on the Wind and cry over Sleepless in Seattle –instead of vice versa. There are reviewers who find Godard boring and think Lukas Moodysson is a genius. And although it is tiresome to hear two-buck chuck extolled as Chateau Lafite Rothschild, you realize that hey, this is America — everyone’s got an opinion, and if it weren’t for bad taste, many folks would have no taste at all. But I reach the edge of my tolerance in the case of Robert Bresson.
Bluntly put, to not get Bresson is to not get the idea of motion pictures — it’s to have missed that train the Lumiere brothers filmed arriving at Lyon station 110 years ago.